Additional Book Information
Publication Date: October 1, 2015
The Weight of Things
by Marianne Fritz, translated from the German by Adrian Nathan West
Yet in this, her first novel, we discover not an eccentric fluke of literary nature but rather a brilliant and masterful satirist, philosophically minded yet raging with anger and wit, who under the guise of a domestic horror story manages to expose the hypocrisy and deep abiding cruelties running parallel, over time, through the society and the individual minds of a century.
Written in a brisk tone that disguises its destination, this slow-burning horror story steps quietly and methodically into a heart of familial darkness. . . . The war haunts this novel, adding to the weight of everyday things and everyday evils that Fritz so ingeniously dissects.
—The New York Times Book Review
Fritz won the Kafka Prize in 2001 and her work, like his, is both deeply upsetting and profound. Her translator writes in his "Afterword" that "there is a class of artists whose work is so strange and extraordinary that it eschews all gradations of the good and the mediocre: genius and madness are the only descriptors adequate to its scale," and he situates Fritz quite forcefully in this class. He seems to be correct.
The Weight of Things is a tightly wrought masterwork of narrative, a little gem that shows off everything that it can (and should) do, without looking as if it were particularly trying.
—Los Angeles Review of Books
[A] stylized book with numerous horrors at its core, both national and personal.
If the presentation, shifting back and forth across the years and events, seems at first confusing it ultimately works very well, and what seems like a low-intensity narrative comes to pack a devastating punch.
—The Complete Review
Fritz’s poetic auscultation of this weight, this madness, is absolutely astounding, both in its scope and its subtlety. It is difficult to summarize her methods, as they are woven so seamlessly into the narrative: its pacing, its movement through time, coalescing into a sensory experience. She describes a palpable environment of disorientation and loss, set against a tapestry of gray skies, war-ruined structures, and dark woods into which people disappear.