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The Sunday Woman

The Sunday Woman

by Carlo Fruttero and Franco Lucentini, translated from the Italian by William Weaver

Regular price $19.95
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Carlo Fruttero and Franco Lucentini were a pair of legendary Italian writers widely celebrated as pioneers of modern crime fiction. The Sunday Woman was the first detective novel they collaborated on together, and also the first to feature Inspector Francesco Santamaria, a suave Sicilian transplanted to Turin, whose no-nonsense attitude and shrewd observation of northern mores make him one of the most beloved characters of the genre.

A thoroughly unpalatable character is found murdered with a weapon so unspeakable that the police will not reveal what it is to the press. By an extraordinary web of circumstance, suspicion falls on a closeted scion of Turin’s high society and his friend, the wife of a rich capitalist, much to the embarrassment of the local police. The suspects, however, are ecstatic to find themselves at the heart all this intrigue, which is far more exciting than the petty squabbles and rude gossip that otherwise occupies their time. They are eager to assist, and with leads few and far between, Inspector Santamaria can do nothing but follow them into their gilded world, where of course nothing, and no one, is as they seem…

A vibrant social satire that uses the police procedural to skewer the callousness and complacency of the bourgeoisie, The Sunday Woman paints a comic and expansive portrait of Turin society, from the high to the low to the dubious.

Additional Book Information

Series: NYRB Classics
ISBN: 9798896230731
Pages: 416
Publication Date:

Praise

The Sunday Woman staggered me by its great comicality.... The people in this novel are observed in close-up and followed and watched one by one in minute detail.... The cheerfulness of the eye that follows the intrigues and delinquencies of the people and of the entire swarming city lights up the scene like a flicking match while we keep on reading, spellbound—and this mocking light does not diminish the tension and reality of the intricate story, but keeps us conscious of the playful imagination behind it all.
—Natalia Ginzburg

All the ingredients of noir are there: a crime, a seemingly insignificant victim, the search for the motive and the culprit, the cop, the extravagant array of witnesses, and the various red herrings. The notable added value, thanks to the writing of Fruttero & Lucentini, is the merciless yet humorous critique of the characters' tics and ambitions.
—Maria Frega, Mangialibri

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