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The Smythes

The Smythes

by Rea Irvin, edited and with an introduction by R. Kikuo Johnson and Dash Shaw, afterword by Caitlin McGurk

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Rea Irvin was The New Yorker’s first art editor and creator of the magazine’s iconic mascot, the butterfly enthusiast Eustace Tilley. In 1930, he ventured into new territory with the comic strip The Smythes. The Smythes—comprised of John, Margie, and their two forgettable children, Willie and Maudie—are a niceish suburban family, restless in their social stature, and eager to climb a sometimes wobbly social ladder. Irvin’s distinct, graceful line renders the Smythes in all their glory and hilarity as they navigate ill-fated dinner parties with pompous socialites, fend off robbers dressed as Santa, and get chased out of restaurants by cleaver-wielding chefs. 

The Smythes drolly captures the joys, heartbreaks, and humiliations of being in a family. Handpicked by acclaimed cartoonists R. Kikuo Johnson and Dash Shaw—who also penned the introduction together—this new selection of Smythes strips also includes an enlightening afterword by comics historian Caitlin McGurk. An unsung masterpiece of cartooning, The Smythes is finally available to a new generation of readers ready to marvel at the full reach of Irvin’s artistic abilities.

Additional Book Information

Series: New York Review Comics
ISBN: 9781681379548
Pages: 168
Publication Date:

Praise

The strips [are] gorgeously composed, with characters dancing elegantly on the page…. [A] playfully wry and tender portrait of married life among the social set.
—Françoise Mouly, The New Yorker

The invaluable Irvin, artist, ex-actor, wit, and sophisticate about town and country, did more to develop the style and excellence of New Yorker drawings and covers than anyone else.
—James Thurber

The strip was a domestic comedy; a husband and wife navigating the brittle charms and absurdities of upper-middle-class life. But under Irvin's pen, the couple became something more than a gag. They were a mirror, lightly fogged with irony, reflecting the anxieties and aspirations of postwar America . . .To read Rea Irvin's The Smythes now is to rediscover not only his forgotten brilliance but a quieter kind of humor, one that trusts its reader to see the joke without being told when to laugh. It's a reminder that irony and tenderness, in the right hands, are not opposites at all.
—Tammi Morton-Kelly, The Comics Journal

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