Lo sono io — I am me — this statement would not be surprising if uttered by a feminist today, but it was spoken, in the nineteenth century, by a young Italian aristocrat, Virginia Oldoini, countess Castiglione. Born in Florence, she moved swiftly to Paris where she gained celebrity as the flamboyant mistress of Napoleon III. She is the fascinating subject of Benedetta Craveri’s latest book. It is a hugely entertaining study of the power of beauty in politics. With her usual brio and thanks to her deep knowledge of French and Italian culture, she follows the improbable career of the countess, whose hallmarks were freedom, irreverence, originality and a passionate belief in the power of the image made possible by the very new art of photography.
—Anka Begley
To succeed in seducing both the Emperor of the French and the King of Italy, while carrying on secret diplomatic negotiations between the two of them, was only one of the Contessa di Castiglione's spectacular accomplishments. Hailed as the most beautiful woman of her time, she mixed sex and politics in a heady brew. And managed her image for posterity through remarkable photographs of her costumed self. Benedetta Craveri's biography offers the broadest account so far of a life that was pure theater.
—Peter Brooks
Craveri follows Virginia’s fortunes amid political upheaval, revolution, war, and intrigue. With a large network of lovers, friends, and acquaintances, and with a talent for manipulation, she proved to be valuable in procuring and transmitting information. Craveri candidly portrays her hedonism, coldness, and arrogance . . . A richly detailed portrait of a scandalous woman.
—Kirkus Reviews, starred review
This book not only allows us to understand Donna Virginia's vitality, but also helps us understand the political stage set of Europe as a whole between the 1850s and 1880s, centered on Napoleon III's imperial France. There is no shortage of unexpected revelations, shedding new light on a delicate historical transition and on the role of Castiglione as a "Nicchia," a professional serial seduction artist, in contemporary society in various countries.
—Cesare Cunaccia, Lampoon Magazine
Craveri . . . is a master at engaging with history and tracing the threads of individual stories that inform its major episodes and events. Thus, the thousand lives of the Countess of Castiglione seem to take shape and color under the infrared light of the darkroom where they incubated for over a century, and Benedetta Craveri develops the themes and lines of an irreducibly modern figure with rigor and passion.
—Maremosso
The discovery of new, reliable sources allowed Craveri to reconstruct a truthful, scathing… portrait of [Virginia Verasis di Castiglione], giving life to a book that is indeed a biography, but so rich in plot twists, narrative skill, and extraordinary adventures that it almost approaches a fantasy novel.
—Chiara Giacobelli, Affaritaliani