Additional Book Information
Series: NYRB Classics
Publication Date: February 19, 2019
NegrophobiaAn Urban Parable
by Darius James, introduction by Amy Abugo Ongiri
With a new preface by the Author
Darius James's scabrous, unapologetically raunchy, and truly hilarious and scary Negrophobia collides head on with the hydra-headed phenomenon of American racism. A screenplay for the mind, a performance on the page, a work of poetry, a mad mix of genres and styles, a novel in the tradition of William S. Burroughs and Ishmael Reed that is like no other novel, Negrophobia begins with the blonde bombshell Bubbles Brazil succumbing to a voodoo spell and entering the inner darkness of her own shiny being. Here crackheads parade in the guise of Muppets, Muslims beat conga drums, Negroes have numbers for names, and H Rap Remus demands the total and instantaneous extermination of the white race through spontaneous combustion. By the end of it all, after going on a weird trip for the ages, Bubbles herself is strangely transformed.
Comic, manic, and amazing, [Negrophobia] tells more about American race relations than all of the walking dead suburban experts, academics, and think tank whores who tell their fellow suburbanites about how it feels to be black.
Jarring, outrageous images hurtle from nearly every page of this postmodern vivisection of the contemporary African American condition.... There is imagination and wicked humor in all of this, as well as some piercing insight.
This is a novel of exposure, not solution. Those willing to take the ride will find language and imagery that provide an understanding of everything offensive and American. To see Bubbles dragged through the mire of racial and sexual taboos is to experience the reclamation of the icons and stereotypes that are the signposts of relations among Americans. It's not an altogether pleasant experience. No one who reads Negrophobia is playing in the dark -- just lost in it. The novel, however, is no more unpleasant an experience than, say, having a police baton swung at your body, or having a steel-tipped boot kick you a few hundred times after you've been dragged out of your tractor-trailer. With its feet firmly planted in the satiric tradition of Voltaire Ishmael Reed, John Kennedy Toole, and Okot p'Bitek, James's book is both timely and necessary.
—Christian Haye, The Village Voice
Wild, non-stop phantasmagoria...In style, theme, and tone, the work of performance artist James is somewhat reminiscent of Ishmael Reed or Amiri Baraka, but his dialog is snappier. The vibrant prose makes for lively reading. Highly recommended.
The black version of American Psycho...One says to oneself: Either this guy is literally crazy or I'm in the presence of a real writer...Something very serious has occurred to the American psyche, and that this thing is tied to racism, and that Darius James' delirium was necessary to explain it.
—Dany Laferriere, Los Angeles Times
A pop-schlock phantasmagoria that owes as much to William Burroughs as it does to S. Clay Wilson. James's raucous debut is by far the best novel to emerge from New York's Lower East Side literary scene.
Darius James is a great writer.
Darius James is one of the funniest writers in America, and one of the most serious. His subject is the big one: slavery; his questions are the big ones: who is slave to what?
Comic strip, sci-fi flick, vaudeville, black-faced minstrel show, and lyrical poem all rolled into one. Negrophobia is a funky, raunchy, angry, hilarious nightmare vision of black culture. A ferocious send-up of African-American stereotypes and white racism. Darius James bursts into literature with a wild, surrealistic imagination.
Darius James is a dazzling scenarist, a wanton imagist and a nubile perpetrator of the great felony on new literature. This is a writer of blazing intensity. Forever may he wave.
This book is not a novel but a curse which will explode in your mind and cause your bottom to drop out. Of all the neo-hoodoo cosmogonic jesters, Darius James proves himself to be the most promising.