Additional Book Information

Series: New York Review Books
ISBN: 9781681373027
Pages: 336
Publication Date: September 25, 2018

Makers of Modern Architecture, Volume IIIFrom Antoni Gaudí to Maya Lin

by Martin Filler

$29.95

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Martin Filler's "contribution to both architecture criticism and general readers' understanding is invaluable," according to Publishers Weekly. This latest installment in his acclaimed Makers of Modern Architecture series again demonstrates his unparalleled skill in explaining the revolutionary changes that have reshaped the built environment over the past century and a half. These studies of more than two dozen master builders--women and men, celebrated and obscure, idealists and opportunists--range from the environmental pioneer Frederick Law Olmsted and the mystical eccentric Antoni Gaudí to the present-day visionaries Frank Gehry and Maya Lin.

Filler's broad knowledge embraces everything from the glittering Viennese luxury of Josef Hoffmann to the heavy-duty construction of the New Brutalists, from the low-cost postwar suburbs of the Levitt Brothers to today's super-tall condo towers on Manhattan's Billionaire's Row. Sometimes the interplay of social and political forces leads to dark results, as with Hitler's favorite architect, Albert Speer, and interior designer, Gerdy Troost. More often, though, heroic figures including Frank Lloyd Wright, Louis Kahn, and Lina Bo Bardi offer uplifting inspiration for the future of the one art form we all live with—and in—every day. martin filler

Praise

Martin Filler's Makers of Modern Architecture, Volume III, from Antoni Gaudí to Maya Lin, is as moving as the other two editions in the series: not only are his portraits individualized, but their particularities are given broad and vast depth in history….Filler has a literate writing style [that]…could be better suited for creative literature because of the vivid word picture he draws of individuals, their works, and the generalized historical fabrics in which they belong….Filler carefully weighs the religious, social, personal, aesthetic, and political strains of his subjects, so we get a crammed-full picture, a three-dimensional image.
—Suzanne Frank, The Architects Newspaper

Filler’s…concern is to show why these subjects remain of perennial interest to us—or, in some cases, do not. There is a great deal of pleasantly opinionated revisionism…Those who are interested in the way that architecture reveals the vagaries of the human heart will not be disappointed by this acerbic, occasionally poignant collection.
—Michael J. Lewis, Architectural Record