If Tarka allowed for the darkness of the world, it also showed the potential wonder in every tiny detail of existence.
—Barra Ó Seaghdha, Dublin Review of Books
It is a rare book in which the preface alone is worth the price of admission. . . . The rest of the book indelibly follows the life of Tarka the otter, and Williamson has a boy’s deep love of the English country.
—Priyanka Kumar, Rumpus
Williamson’s animals are not people, they are not symbols, and they do not speak. They are life itself, the force that through the green fuse drives the flower, manifesting here as a heron, there as an otter, and there again as Deadlock, the slavering, otter-hunting hound. Forget the news; read Williamson, and plunge into the back-brain.
—James Parker, The Atlantic
Reading ‘Tarka the Otter’ is a beautiful, heady experience—like spending two years wandering a riverbank in rural England. . . . There’s no anthropomorphizing here— just an otter’s life, with all its perils and joys.
—Laurie Hertzel, Minneapolis StarTribune
The supreme writer of the English countryside.
—Christopher Somerville, The Daily Telegraph
[Tarka the Otter] was hailed as both a popular success and a literary masterpiece, and has never been out of print. . . . Set along the Rivers Taw and Torridge in north Devon, the novel follows the birth, life and inevitable death of Tarka in vivid and lyrical prose that reflects Williamson’s intimate study of the natural world. Written from the perspective of the otter, Williamson’s narrative is empathetic but unsentimental. Tarka roams and crosses the landscape, encountering other animals, finding mates and surviving in an environment that is at times brutal. This is also fundamentally a tale of the hunted animal: moments of peace are interrupted by the sound of the otter hunt, culminating in a 40 page account of the final chase and battle between Tarka and the hound, Deadlock. . . . In recent years Tarka has been interpreted as an allegory of war.
—The British Library
I was about eleven years old when I found [Tarka the Otter], and for the next year I read little else. . . . It entered into me and gave shape and words to my world. . . . In the confrontations of creature and creature, of creature and object, of creature and fate—[Williamson] made me feel the pathos of actuality in the natural world.
Williamson’s 1927 novel about the otters of North Devon . . . sounds cute, [but] it’s not: Writing from the perspective of Tarka as he roams the countryside, Williamson emphasizes the brutality and competitiveness of the species, as well as the bloodlust of humans who hunt them because they envy their salmon.
—Lorraine Berry, “21 New and Classic Books to Keep You in Touch with the Natural World,” The Los Angeles Times