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Mourning a Breast

Mourning a Breast

by Xi Xi, translated from the Chinese by Jennifer Feeley

$18.95
$18.95
Asian Literature Available as E-Book
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In 1989, the Hong Kong cult classic writer Xi Xi was diagnosed with breast cancer and began writing in order to make sense of her diagnosis and treatment. Mourning a Breast, published two and a half years later, is a disarmingly honest and deeply personal account of the author’s experience of a mastectomy and of her subsequent recovery.

The book opens with her gently rolling up a swimsuit. A beginning swimmer, she loves going to the pool, eavesdropping on conversations in the changing room, shopping for swimsuits. As this routine pleasure is revoked, the small loss stands in for the greater one. But Xi Xi’s mourning begins to take shape as a form of activism. In a conversational, even humorous, manner, she describes her previous blinkered life of the mind before she came into her body and learned its language.

Addressing her reader as frankly and unashamedly as an old friend, she coaxes and confesses, confronts society’s failings, and advocates for a universal literacy of the body. Mourning a Breast was heralded as the first Chinese language book to cast off the stigma of writing about illness and to expose the myths associated with breast cancer. A radical and generous book about creating in the midst of mourning.

Additional Book Information

Series: NYRB Classics
ISBN: 9781681378220
Pages: 320
Publication Date:

Praise

The breast is the epicenter, where the complexities of society, literature, translation, personal care, history, art, and identity converge and transmute into a deeply felt and profoundly original narrative. Mourning A Breast is the story of Xi Xi's own experience, translated by Jennifer Feeley with precision and a subtle undertone of celebration, a generous invitation to navigate the depths of womanhood, of cancer, with humor and unflinching honesty.
—Xuan Juliana Wang

Mourning a Breast engages an innovative mix of writing drawn from multiple genres and disciplines, all centered on the exploration of an unwelcome sign—a tumor inside a breast. Xi Xi transports us from the technique of stitching skin to the process of splicing film for an experimental movie, and moves freely between her post-surgery feelings about her renovated bathroom and a public debate on the architectural design of the Hong Kong Cultural Centre. Xi Xi would be delighted to read Feeley’s attentive and even playful translation, especially given that translation is one of the book’s key motifs. A brilliant reader of her own illness, Xi Xi regards a literary work, a person’s body, and the earth itself in need of continuous translation and interpretation.
—Dorothy Tse

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