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In the 1940s, he moved to Europe, away from what he called the \"middle-class and fancy dullness\" of midcentury American letters, writing novels of a highly romantic kind, playing squash and tennis, collecting butterflies, and printing deluxe limited editions of poems he admired.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eIn 1982, Prokosch returned to the literary limelight with \u003c\/span\u003e\u003ci\u003eVoices\u003c\/i\u003e\u003cspan\u003e—a self-proclaimed memoir framed by his childhood in Middle America and his old age in the South of France, made of short chapters about his encounters with famous figures, whose every word he seems to recall. \u003c\/span\u003e\u003ci\u003eVoices\u003c\/i\u003e\u003cspan\u003e, too, is a work of fantasy. But if Prokosch's portraits are not strictly true to life, they come alive as few portraits do. 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