Additional Book Information
Series: NYRB Classics
Publication Date: August 31, 2004
Asleep in the Sun
by Adolfo Bioy Casares, introduction by James Sallis, translated from the Spanish by Suzanne Jill Levine
Lucio, a normal man in a normal (nosy) city neighborhood with normal problems with his in-laws (ever-present) and job (he lost it) finds he has a new problem on his hands: his beloved wife, Diana. She's been staying out till all hours of the night and grows more disagreeable by the day. Should Lucio have Diana committed to the Psychiatric Institute, as her friend the dog trainer suggests? Before Lucio can even make up his mind, Diana is carted away by the mysterious head of the institute. Never mind, Diana's sister, who looks just like Diana—and yet is nothing like her—has moved in. And on the recommendation of the dog trainer, Lucio acquires an adoring German shepherd, also named Diana. Then one glorious day, Diana returns, affectionate and pleasant. She's been cured!—but have the doctors at the institute gone too far?
Asleep in the Sun is the great work of the Argentine master Adolfo Bioy Casares's later years. Like his legendary Invention of Morel, it is an intoxicating mixture of fantasy, sly humor, and menace. Whether read as a fable of modern politics, a meditation on the elusive parameters of the self, or a most unusual love story, Bioy's book is an almost scarily perfect comic turn, as well as a pure delight. by Adolfo Bioy Casares, introduction by James Sallis, translated from the Spanish by Suzanne Jill Levine
"A sweet, increasingly surreal fable....The fantastic events seem less momentous than the almost saintly likeableness of Lucio, one of those people whom things happen to with a cockeyed vengeance. Levine's slangy, salt-of-the-earth translation helps to make this shapely and appealing.
— Kirkus Reviews
Its broader themes of compatibility and well-being, and man's attachment to place and routine, connect it with such older twentieth-century masterworks as Mann's The Magic Mountain.
A witty and ironic comment on our desires and the social structures we have created. This tale...weds laughter and terror in haunting fashion.
— Publishers Weekly